Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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George Price Boyce,RWS
Tomb of Mastino II della Scala (mk46)

ID: 26012

George Price Boyce,RWS Tomb of Mastino II della Scala (mk46)
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George Price Boyce,RWS Tomb of Mastino II della Scala (mk46)


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George Price Boyce,RWS

1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona  Related Paintings of George Price Boyce,RWS :. | Preaching of St John the Baptist | I was born | Summer Landscape | charles, earl of dalkeith | Portrat des Sir Christopher Hatton |
Related Artists:
Joao Batista da Costa
painted Landscape in 1920
POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
Mair von Landshut
(active c. 1485 e 1510) was a German engraver and painter.






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